![]() ![]() If I can continue to take that advice, I’ll at least look like I can make decisions.” “So I took that piece of advice and I was like, ‘Oh, that’s easy.’ So many times my mouth would open to say, ‘I d–.’ Even if I didn’t know the answer, I would say something. I hope he comes with us forever.) Secondly, you’re going to be asked a shit-ton of questions. “David Duchovny said, ‘The best piece of advice I’ll give you is - first of all, let the DP direct the episode.’ I was like, ‘OK, I’m not going to do that!’ (Our DP was incredible. Luckily, Zea had a former co-worker who had firsthand experience directing TV episodes during his own career. ‘Miracle Workers’ Trailer: Daniel Radcliffe Channels Mad Max in Season 4 of TBS Anthology Series With this, it was really like the first day of school.” I’ve been acting for 20 years and when I walk onto a set, even when it’s a new show, there’s the jitters and the butterflies, but I know what I’m doing and I’m confident in that. It was feelings that I haven’t felt in a while. ![]() I was awful,” Zea told IndieWire with a laugh. “That was my first scene that I directed. For Zea, it was far from a simple first assignment (and not just because of the 360-degree camera move at the end when Nate and Zea’s character Robin reunite). The first scene that Natalie Zea ever directed for TV was the restaurant karaoke sequence from Tuesday night’s episode of “The Detour.” If two Broadway vets (Laura Benanti and Gideon Glick) singing “Almost Paradise” to Jason Jones’ Nate sounds like a tame scene description, know that it would still probably be one of the wildest scenes on most other TV comedies. ![]()
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